Blonde writer and director Andrew Dominik's disinterest in Marilyn Monroe can be felt throughout the film

Dear Gossips,  What does a filmmaker owe their subject? When you make a film about a real person, even a fictionalized version of their life, what, if anything, is their due as the subject? Insisting on total fealty to the subject is boring, in a narrative format, such a thing doesn’t allow for inve...