"Guillermo really wanted it to be a sort of Frankenstein-eqsue creation story." Guillermo del Toro's Pinocchio's puppet fabrication supervisor Georgina Hayns shows us how she make puppets for stop-motion animated films. How do you show the animated evolution of the wooden boy who has never learned to walk?
From 3D printed joints to animated face replacement, Georgina takes us through her process of creating practical stop-motion puppetry for the animated Netflix film.GUILLERMO DEL TORO’S PINOCCHIO is available to stream now on Netflix, https://netflix.com/pinocchioDirector: Jacqueline PhillipsDirector of Photography: Paul RamseyEditor: Mana Tagami, Paul TaelTalent: Georgina HaynsProducer: Ashley HallLine Producer: Jen SantosAssociate Producer: Emebeit BeyeneProduction Manager: Natasha Soto-AlborsProduction Coordinator: Jamal ColvinTalent Booker: Meredith JudkinsCamera Operators: Collin Lyons, Richard LyonsAudio: John GurneyProduction Assistant: Chad SaddlerPost Production Supervisor: Edward TaylorPost Production Coordinator: Jovan JamesSupervising Editor: Kameron KeyAssistant Editor: Billy Ward
