‘Camelot’ Review: Aaron Sorkin’s Rethink of a Beloved Broadway Musical Loses the Magic, in Every Sense of the Word
In Aaron Sorkin’s revised script for Lincoln Center Theater’s new Broadway production of “Camelot,” the magic is missing — in more ways than one. The declared aim of the stage, TV and film writer (“To Kill a Mockingbird,” “The West Wing,” “The Social Network”) was to eliminate the fantastical…
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