‘A Brighter Tomorrow’ Review: Nanni Moretti Gets Nostalgic About Cinema, Politics and Himself in a Meta-Memoir Strictly for Fans

The captivating opening sequence of Nanni Moretti’s A Brighter Tomorrow (Il Sol dell’Avvenire) watches as a dusty old Fiat passes Castel Sant’Angelo in Rome and pulls up next to the Tiber. A man with a can of red paint and a rope steps out and scoots halfway down the stone wall that hugs the…

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