From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence
Published
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
Full ArticlePublished
The director was long identified with ornately edited set pieces. In “The Irishman” and his latest film, the flourishes have given way to blunt truths.
Full Article